Ganpati Bappa Morya’s orchestration is tuned to grand splendor with Prof. Dr Ganesh Chandanshive and Shankar Mahadevan getting excellent support from the chorus. In comparison, the Lalbaugchaa Raajaa aarti is...
Continue reading...Uyir Mozhi (Music review), Tamil – Santhosh Narayanan
Naanaaga naanindri‘s minimal arrangement demands much from Pradeep and Kalyani and they deliver pretty well for its unconventional tune! Pradeep’s vocals power Oru murai too – a fabulously melodious ballad....
Continue reading...Damarukam (Music review), Telugu – Devi Sri Prasad
Omkaram srusthi, Pancha graha kootam and Dheemtana are background’ish and functional. Shiva shiva shankara and Bhoonabhontaalake are more filmy, and largely templatized. Nesthama is more like good old Devi; catchy,...
Continue reading...Monkemoner Station (Music review), Shreya Ghoshal & Joy Sarkar
Dekhyo‘s guitaring sits on top of Shreya’s dreamy vocals beautifully! Shreya ups the ante with her versatile singing in flashy, but lively songs like Ja khushi and Aaj benche. The...
Continue reading...Music I Like (Music review), Suchitra & Sai Madhukar
Suchitra, known more for her item’ish numbers in Tamil films, makes a long overdue, fully deserved cross-over to serious music. Familiar and much-loved Bharathiyar songs like Aasai mugam, Nalladhor veenai...
Continue reading...Pizza (Music review), Tamil – Santhosh Narayanan
Mogathirai uses Santhosh’s guitar-based Atta Kathi template; serene and pleasant! Its prelude, by Phil Hartl, is a wonderful listen too! Rathiri’s Decent Version is a funky disco-pop number with great...
Continue reading...Paagan (Music review), Tamil – James Vasanthan
In a strange coincidence, two of Paagan’s songs sound like two of Guru’s songs! Alka Ajith’s wonderfully sung Poon thendralai seems like Barso re, while Ippadi oar, again, superbly sung...
Continue reading...English Vinglish (Music review), Hindi – Amit Trivedi
Badla nazara, beyond the frivolous techno sound, carries enough nuances – like quirky wordplay and the squeaky title hook – to hold one’s attention. And Shilpa Rao can seldom go...
Continue reading...Top recent listens (August 2012)
Title song, Kyon, Aashiyan & Phir le aya dil – Barfi (Hindi – Pritam) One of the best Hindi soundtracks in recent times! I had a tough time zeroing in...
Continue reading...Neethaane En Ponvasantham (Music review), Tamil – Ilayaraja
Saayndhu saayndhu is the soundtrack’s mesmerizing opener, straddling delightful interludes (that 2nd interlude!) and scintillating guitars! Yuvan tries his best to be the song’s weakest link, and one does wonder...
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