Kaalam yen kadhali has captivating phrases; that ‘Kaalam yen’ hook after the anupallavi layered with kuthu or the catchy ‘Vaa machakkaara’ in the charanam that’s different from the anupllavi. But...
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Sairat (Music review), Marathi – Ajay-Atul
Mark Graham’s strings and woodwinds section opens Yad lagla in an astonishingly beautiful way. The melody is gorgeously tender as if trying to extricate itself from the nuanced and mesmerizing...
Continue reading...Valleem Thetti Pulleem Thetti (Music review), Malayalam – Sooraj S. Kurup
With a majestic nadaswaram leading the Karaharapriya infused tune, Sooraj hits it out of the park in Pularkaalam pole. Haricharan and Madonna rock this one! In Pooram kaanan, the composer...
Continue reading...Ishq Anokha (Music review), Indipop – Kailasa
The title song shines with spiffy orchestration, and truly takes flight as Kailash starts with, ‘Le tu nadiya magmaati’. O Jogi is a great listen, with its spritely, jazz-tinged sound,...
Continue reading...Godhi Banna Sadharna Mykattu (Music review), Kannada – Charan Raj
Siddhanth—sounding like Raghu Dixit—handles Naa e sanjege magnificiently. Charan’s Kannada Jazz fusion combines Ustad Hafiz Bale Khan’s sitar, Shailesh Shenoy’s tabla, and Raman Iyer-arranged wind instruments effortlessly! The female version...
Continue reading...Cute Kameena (Music review), Hindi – Krsna
Barring Payal Dev’s grating way of singing, Twinkle twinkle is a mighty fun track, with the real hero being Puneet Sharma’s lyrics (‘baaki saare launde water vapour lagte hain‘, ‘tere...
Continue reading...Jai Gangaajal (Music review), Hindi – Salim-Sulaiman
Maya thagni mixes pulsating world music’ish sounds for a largely folk tune, before going completely folk and then getting back again. Tetua, Ghanghor and Binu baadar too get their mix...
Continue reading...Zero (Music review), Tamil – Nivas K Prasanna
Anirudh brings a certain vulnerability to Uyire un uyirena‘s gorgeous ballad-style melody that adds a tremendous layer. Nivas lets the tune soak in and keeps the orchestration beautifully complimentary, complete...
Continue reading...Fitoor (Music review), Hindi – Amit Trivedi
Yeh fitoor mera is very Amit; a dual-mukhda structure that hammers the simple, evocative tune with a gradual build-up and a rousing ending, all wonderfully handled by Arijit. Pashmina ups...
Continue reading...Seethamma Andalu Ramayya Sitralu (Music review), Telugu – Gopi Sundar
Seethamalakshmi has the perfect tempo for the easily likeable tune from Gopi, with his trademark violins. Yazin Nizar’s singing is effortless, particularly in the higher pitches, even adding a nice...
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