Hindi OST

The symphonic Aasmani chatri enthralls us with a whirlwind of sounds as much as Tesoo, which is typical Gulzar material. The tune is again trademark Vishal, shorn of commercial trappings...

Ram milaye jodi is straight out of Vishal’s inventory, with a fine mod nautanki sound. Gudgudee might have induced sleep but for Gulzar’s words and that sneaking tabla. With a...

Subah subah with those neat guitar riffs and energetic tune, is instantly catchy and typical Vishal Shekhar material. Zubeen’s singing makes that essential difference too. But, Kehna hai jo and...

The catchily repetitive title song has Chopra-style written all over, while Saiyyan Re works well as an energetic new-age qawali. Ya rabba has Kailash in a pensive mood but doesn’t...

Mithoon, after that phenomenal debut in Bas ek pal with Tere bin, proves that he’s here to impress. Big time! The two songs he composes for Anwar, Maula mere maula...

Kabul Fiza flows beautifully like a lively indi pop track than a filmi track. Raghav’s fresh vocals make the difference too! With a slightly monotonous and 90s feel, Banjar is...

Tere bin is an enjoyable, breezy reggae’ish track while Signal, with a noticeable drag sounds pretty neat! But the soundtrack goes completely haywire after these two hopefuls. Sunidhi’s Aa kushi...

Despite its crowd-pleasing catchiness, Barso re is rather contrived. Tere bina & Ay hairathe get everything right…imaginative accompaniments, delightful vocals by Rahman and Hariharan, and are excellently packaged. Bappi Lahiri...

The aimless Come on, rambling Har manzar and an assembly-line Keh raha hai give us enough reasons on why Aadesh is still in the side lines. But he does redeem...

Crazy kiya re has Pritam’s usual middle-eastern flourishes and that lazy ryhthm does get on to you. Its the Latin sound in Touch me, but its terribly predictable while My...