The aimless Come on, rambling Har manzar and an assembly-line Keh raha hai give us enough reasons on why Aadesh is still in the side lines. But he does redeem himself largely due to the Jagjit Singh track, Kehta hai baabul and the beautiful Baawari piya ki, in which Sonu is absolutely scintillating. Kunal attempts at something similar in Bebasi dard, but doesn’t quite manage anything. The rest of the soundtrack is some mish-mash nonsense, may be put to use better by the director. Baabul’s music is strictly functional. Whether Aadesh intended it like that is quite a different issue!
Keywords: Amitabh Bachan, John Abraham, Rani Mukherjee, Salman Khan