Kuyile and Kanavugal aayiram are so very Vidyasagar! Not to take credit away from Afzal, both melodies are wonderfully involving, with Haricharan-Shwetha Mohan and Najeem Arshad-Latha Krishna handling it brilliantly,...
Continue reading...Karthik
Winner (Music review), Telugu – SS Thaman
Yazin Nizar and Sanjana seem to be struggling to sing the otherwise-catchy Sitara! Pichonne aipoya has that Thaman signature – busily layered music with generously digitized vocals! Suyaa too is...
Continue reading...Yaadhumaagi Nindraai (Music review), Tamil – Ashwin Vinayagamoorthy and Achu
Aritharam poosi sounds interesting as long as it traverses the blues’y piano, but outside of it, the rest of the fusion sounds clumsy at best. Aagaayam is Sid Sriram’s show...
Continue reading...Mupparimanam (Music review), Tamil – G.V.Prakash Kumar
Let’s Go Party and Yaar ivano sound woefully dated, including lyrics that allude to AB Positive and Android in the former, as if cementing that dated’ness. Sokki poraandi is no...
Continue reading...Angamaly Diaries (Music review), Malayalam – Prashant Pillai
The profusion of atmospheric sounds in Ayalathe is both disconcerting and alluring! Shreekumar Vakkiyil’s involved vocals sit on top of Prashant’s lively, impromptu’ish backdrop! The three traditional songs, sung by...
Continue reading...Srinivasa Kalyana (Music review), Kannada – Midhun Mukundan and Raghavendra Thane
Gapu gapalli‘s light, frothy sound makes it a breezy listen. In Bettadmele Srinivasu, Midhun starts with faint strains of Sivaji’s Ballelakka and layers a punchy brass-based kuthu, led confidently by...
Continue reading...Happy New Year (Music review), Kannada – Raghu Dixit
Raghu sings the breathless Adda bidde madesaa with a quirky twang amidst racy country music. Nakul Abhyankar lifts the already bouncy, exuberant Sa re ga ma to a new high....
Continue reading...Badrinath Ki Dulhaniya (Music review), Hindi – Amaal Mallik, Tanishk Bagchi, Akhil Sachdeva and Bappi Lahiri
Aashiq surrender hua is a dedicated Bollywoodisation of an infectious, foot-tapping South-Indian kuthu song! Amaal’s second, Roke na ruke, is the complete opposite! The song transcends conventional Dharma pathos templates...
Continue reading...Kavan (Music review), Tamil – Hiphop Tamizha
The pulse-pounding Happy New Year sounds like something composed after a night of drunk revelry. Oxygen harks back to Harris-Anand combo! Excellent melody, with intriguing instrumental choices. Mathurangalaam‘s jazz base...
Continue reading...Dora (Music review), Tamil – Vivek-Mervin
There’s a whiff of early Rahman in Engapora Dora, particularly in the semi-classical twist with the uncredited female humming and the veena-based, most-probably Senchurutti raaga interlude. Vaazhavudu‘s energetic rhythm keeps...
Continue reading...

