With its Viju Shah’ish item sound, Isak se meetha is surprisingly un-Pritam’ish, dated and predictable. Rahat Fateh Ali Khan gets badly stereotyped…yet again, in Man ki mat and Sasural munia...
Continue reading...Ajay Devgan
Rajneeti (Movie review), Prakash Jha
Rajneeti is one of the few movies that I recall getting almost all round positive reviews and that was one of the reasons why I chose to see it too....
Continue reading...Music review: Atithi Tum Kab Jaoge (Hindi – Amit Mishra & Pritam)
Pritam’s Aaja aaja is a cacophonous mess, but that strangely seems quite the intention; that it follows a predictable pattern is a different story. His other track, the mock take...
Continue reading...Music review: London Dreams (Hindi – Shankar Ehsaan Loy)
Barson yaaron is a full-throated, rock anthem with brilliant pauses (Laakh take da) and a mesmerizing finale invoking Lord Hanuman! The choice of vocals – Vishal Dadlani and Roop Kumar...
Continue reading...Music review: All The Best (Hindi – Pritam)
Everything about All The Best is huge in size – most tracks have a stadium-rock feel. This is very evident in the bombastic title song as it catchy rhythms are...
Continue reading...Music review: Golmaal Returns (Hindi – Pritam & Ashish Pandit)
If the former had some chilled-out, high-spirited tracks by Vishal Shekhar, the sequel too has something that is almost there – by composers Pritam and Ashish Pandit. The latter’s opening...
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