Hindi OST

What’s that strange noise? Must be Himesh’s tune bank barrel being scraped in the bottom! The very same hooks, the same highly predictable orchestration, the same ‘ol Himesh vocals –...

KK pulls off a superbly orchestrated – with amazing pauses – Jaane kaise in an uncharacteristic low pitch while Gayatri Ganjawala has been assigned a very trendy and more than...

The title song and Nachle ve are as banal as they come, with terribly drab rhythms that seem to have been imposed by the Yash Raj machinery. Ab to forever...

Metro is Pritam’s finest effort yet – the composer gives us an excellent, themed soundtrack with the kind of sound we have come to love from Pakistani bands! Band Metro,...

Ankur’s Bheegi seeli does have an interesting ring to it – minimal, vocal-driven orchestration arranged by Ranjit Barot being the highlight. The strangely named TKnow (Costantino Francorsi) chooses to do...

Aye khuda has an engaging Junoon’ish sound and Kunal’s full-pitched vocals help tremendously! But, both Deewana teri and Its rocking are contrived and predictable, despite Pritam infusing reggae, rap and...

Boom boom is insipid. Rootho naa has stereotyped ‘Iyer’ interludes even as the tune is plain boring. Raasta pyaar ka is too fragmented to even comment about, the flat singing...

In the name of a rustic soundtrack to go with the film’s theme, Anand Raaj Anand hams out an insipid set of songs – for the n’th time! Except the...

Valha re-uses a prominent hook from Garam Masala’s Ada (lifted off Amr Diab’s Ana!) and is generally ho-hum. Hum tum has a mild Latin touch but is largely uninspiring! Remo...

I’ve never been in such a desperate need for adjectives. Himesh Reshammiyya’s latest is so atrociously and consistently bad that I don’t want to waste perfectly valid alternate words that...