Sooda oru sooriyan has a heady percussion to go for it and the hook is catchy too, but it doesn’t press further. Paarai mele is that kind of song which deserved a better singer, one who can differentiate between ‘l’ and ‘L’ in Tamil, and can sing in tune, unlike Yuvan. His tune is fantastic, however, with phenomenal strings usage and a dash of his earlier obsession – Celtic sounds. Maina rendu‘s charukesi raaga ambition keeps it engaging beyond the background’ish feel, while the Theme is a fantastic, grand listen. Yuvan’s obsession with bad singing is reaching Himesh Reshammiya’ish proportions.
Keywords: Sathriyan, Yuvan Shankar Raja
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