Mannadhi mannaru is strictly situational, but the role call style singing is interesting. Marudhaani poovappola and Marudhaani poovumela, with subtle differences in the pitch and singers is a pleasant enough melody, except for the way the verses are forced to end at places, abruptly. En nenje is a joyous outburst and the composer’s arrangements and choice of filling certain portions with free flowing singing works well! Suvadu suvadu has 3 directors singing and the mysterious tune sees them through, while Usurey is just passable pathos. A staid debut by Taj Noor, that completely defies the Rahman association he’s subjected to.
Keywords: Arulnidhi, Sunaina, Pandiraj, Taj Noor, Thajnoor, Thaj Noor, Vamsam
