Assuming Yuvan-sung songs as a separate genre, Thaakkudhey kan thaakkudhey has him trying, successfully, a faster-than-his-usual tune, amidst craftily composed backgrounds. Paithiyam pidikkudhu is trademark Yuvan; one that is immensely addictive, with youthfully funky sounds. With its Pattiyal hangover, Kupathu rajakkal is unfortunately staid, even as Yuvan tries some unique sounds in the backgrounds. Sadhana Sargam’s En nenjil has its orchestration almost drowning the melody, which in itself doesn’t stand-out, while Ullaara poondhu paaru stoops to completely mundane levels in every imaginable way. Baana has two fantastic tracks – the rest display either Yuvan’s complete lack of interest or sheer overconfidence.
Keywords: Atharva, Adharva, Samantha, Yuvan Shankar Raja
