Nanhe yaar is clearly from Himesh’s sound bank of yore – typically from the Tere naam days, I suppose. Almost everything seems stretched and sappy – the prolonged prelude, the whole sound! Ulfat is more like it – the standard, high-pitched, nasal, annoyingly extra-stylish and hollow scream from the man himself while his reworking of the classic Kesariya is bland. Ranjhna is terribly monotonous and Lamha Lamha is the only track worth something, thanks largely to Sunidhi – but Himesh decides that this track deserved his nasality too and spoils a fairly neat tune. Ay Himesh bhai, kuch hatke bajaao na…please!
Keywords: Himesh Reshammiya, Reshamiyya, Bobby Deol, Oooooouuuuuuuu
