Tamil OST

Solli tharava and Pidikkum have passable, lively tunes, but are bound to make the vanguards of Tamil protection mad, for the ridiculous pronunciation. Anbulla kaadhali has a decently orchestrated calypso’ish...

Hello miss has all HJ’ish elements…catchy rhythms, ‘yah..’ interludes, a husky male voice…and the package is enjoyable as well! Ilamai ullasam has a blatant but mild variation of the ‘Na...

Aadungadaa & Maambazham stray into T.Rajendar’s kuppam and sound as pointless as they could, with utter nonsense in the name of lyrics! Two of Mani Sharma’s Telugu Pokiri tracks show...

If his brother is going places, Karthikraja also seems to be doing the same, towards terra firma. And Muruga personifies this facet of the composer who had shown a lot...

Thimirae & Angel, despite their Vikraman’ish tunes, are reasonably catchy, thanks to some sprightly orchestration. Barring those annoying tanglish gibberish, Enjoy is indeed enjoyably catchy. But Salladai and Rendaam jaamam...

Ariyadha manasu’s orchestrational simplicity, with that right amount of innovation, showcases Yuvan’s maturity. Iyyaiyo and Sari kama pathani sound at best like an excellent Raja tune gone awry, with Yuvan...

Atrai thingal the soundtrack’s highlight for its exotic orchestration and clean, charming Taml usage. Mannaargudi rocks you with its incredibly catchy folk rhythm while Vidyasagar adds a true-blue rustic filler...

Ovvoru pillayum combines a powerful sound with interesting theme-based lyrics. Star hotel & Mudhal mudhala sound at best like Yuvan rejects – clear overdose of unique sounds that overpower any...

Kancha penne and Yedho idhu are impressive – the former with a fresh tune that flows beautifully while the latter is a mellow track with neat arrangements. Paul re-uses his...

Veyyilodu and Ooraan thottathula bear very common, done-to-death sounds, arrangements and predictable interludes, even as the base tunes make up for the overall monotony. Kaadhal neruppin’s synth sound sounds like...