Nee ondrum is a tad simplistic but endearing nonetheless and Aanum pennum’s fast-paced rhythms and sophistication in the orchestration work pretty well. Graamam thedi emulates Rahman’s sound, but Thaman carefully crafts the track with adequate individuality and creates a winner, while in Adhikaalai pookkal the young composer ups the ante significantly with enchanting backgrounds and a tune that beautifully build itself as it progresses. Gore gore, reused from Thaman’s Telugu soundtrack, Kick, is catchy but standard fare. Then mutham plays out like a Harris Jeyaraj song and impresses with its orchestration. Young Thaman is gradually, but surely making his mark.
Keywords: Rahul Ravindran, Samantha, S S Thaman, Thaman
