The title song is heavily stereotyped, with odd South Indian influences too like ‘Parotta’ besides Paranthe. Party sharty is no different – assembly-line and at times out of tune too, thanks to Vasundhara. KK saves Tere bin‘s predictable Pakistani-pop sound, but Wind of Change‘s wannabe pop sound is plain annoying. Khidki se zara future aane do has a reasonably interesting bluesy sound. The soundtrack’s best are Dil yeh and Subah meri, that, despite awkward vocals by Vasundhara, have tunes that are endearing. Unremarkable film composing debut from Vasundhara Das; that’s rather odd, coming after the stellar The Shah Hussain Project!
Keywords: Paranthe Wali Gali, Vasundhara Das
