Posts Tagged ‘yuvan shankar raja

Sooda oru sooriyan has a heady percussion to go for it and the hook is catchy too, but it doesn’t press further. Paarai mele is that kind of song which deserved a better singer, one who can differentiate between ‘l’ and ‘L’ in Tamil, and can sing in tune, unlike Yuvan. His tune is fantastic, […]

Yaaro ucchikilai meley is vintage Yuvan; lilting rhythm and a pleasant melody. Unn badhil vendi‘s tune seems retrofitted on Na.Muthukumar’s poetry, and Unnai‘s verses seem even more melody-agnostic, going ‘Nee sirithu mayakkum muganool padangalukku, en aanmaavilirundhu araivari eduthu ezhudhinaal podhum, nee Like seivaai‘, resulting in an uncomfortably perfunctory tune. Kaadhal oru kattukkadhai rides largely on […]

Kannungala chellangala is truly intriguing, and captivating! It also has horrendous vocals by Yuvan, besides Selvaraghavan’s inventive lines like ‘Setha naai mela thaan ethana lorry thaan’. Maalai varum has a likeable rock ballad-style melody, with that catchy ‘Ramsay’ call-out. But, it also has stomach-churningly bad singing by Dhanush and Yuvan. Yuvan offers a frenetic drum-and-bass […]

Neee is a superb melody that builds on the EDM sound really well. Yuvan’s singing leaves a LOT to be desired, but he makes up for it in other departments. His abysmal singing almost mauls Naan ini! It’s orchestrated brilliantly and is a tune that deserved a better singer to accompany Chinmayi. Ennulae has that […]

Soppana Sundari spins around Goundamani’s iconic Karagattakaran dialog, but the enthusiasm seems rather forced. The remix is a decidedly better, with punchy electronic sounds. The Boys Are Back is all swagger and electronica, with an easily hummable hook. House Party is no different – ‘homely’ techno-TASMAC song, with addictive hooks and Senthil Dass’s enthu vocals. […]

Endha pakkam is good old Yuvan, exactly an year later! Immersive melody over a simple, captivating rhythm, and superbly sung by Chinmayi and Rahul Nambiar, with a particularly lovely humming-based bridge connecting the anupallavi and pallavi. Aandipatti‘s Laxmikant-Pyarelal sound is an awkward surprise, while Poi vaada‘s early-Rahman sound is sedate and well sung by Srimathumita. […]

Parapara‘s upbeat sound, cool vocal effects and vocal interplay between Vijay Yesudas and Ranjith lift the song. Konjalaai is that typical Yuvan melody – a resonant, engrossing tune with funky orchestration incorporating dubstep. Kakkaponnu, in contrast, has more of the alluring sound, but is saddled with a less interesting tune. Innum enna is the song […]

Therikkudhu masss is a curious melange; it has likeable pieces like the thavil base being used in two different backdrops, but as a whole, it’s bewildering. Premgi’s remix has its work cut-out and delivers a pulsating dance track. Naan aval illai‘s base melody is likeable enough, but its build-up is ho-hum, while Poochandi‘s street-smart funk […]

Beyond the catchy rhythm of Vaiyambatti lies a lovely tune, with the right amount of punch, and most importantly, Vairamuthu’s absorbing lyrics espousing the blissful living of tribals in the hills. That it is also wonderfully sung by Anthony Dassan and Priyadarshini is the icing! Kondaatamae‘s reasonably monotonous background don’t pull the song down given […]

Vandha kadha is Yuvan’s turn to pull an Anirudh – punchy techno gana, obviously powered by Gana Bala! Pachchai vanna has a gorgeous melody, though Yuvan’s package, despite the tantalizing sound, is very, very familiar. Pookkamazh is an intriguingly likeable techno-dance number; more than the catchy sound, Karky’s senthamizh verses make for an absorbing listen! […]

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