Archive for the ‘Kannada OST’ Category

Raghu sings the breathless Adda bidde madesaa with a quirky twang amidst racy country music. Nakul Abhyankar lifts the already bouncy, exuberant Sa re ga ma to a new high. Baduke neenentha‘s innate appeal includes Charukesi raaga, Raghu’s deeply resonant orchestration and Kapil Nair’s fantastic singing. Preetiya hesare neenu is an intimate ballad that the […]

Armaan Mallik leads Heegethake confidently, a generic, pleasant faux-sufi melody. The title song treads similar ground – painfully templatized, evoking a classic Laxmikant-Pyarerlal melody. Kolike ranga is Tipu’s show! He holds the calypso-from-Mandya package with his enthusiastic vocals. Ravichandran’s 1985 Naanu Nanna Hendthi number, Yaare neenu gets a remix, featuring Ranjith – lacks the kitschy […]

The title song panders to hero-worship, but it actually does it in style! Vyasraj handles the vocals brilliantly, particularly the title hook (a chorus) and the ‘Bhuvana gagana’ phrase! Arjun layers in the horns perfectly to amp up the suave tune. After Hebbuli’s Devare, Armaan Mallik delivers another knock-out for Arjun in Ondu malebillu, a […]

Tuesday January 17, 2017 19:03

Hebbuli (Music review), Kannada – Arjun Janya

Hulli hulli, presumably the hero-intro song is, unlike current trend, not a kuthu number, but is hard rock! Siddharth Basrur’s grungy vocals and the pulsating sound make it work. Hebbuli theme too is on similar lines; powerful, guitar-booming sound. Vijay Prakash is at his usual best singing the easy-on-the-ears semi-classical Sundari. Usire is usual Arjun […]

Shuruvaithu‘s classic rock format is likeable, thanks also to Anand’s repetitive musical phrases and Chetan Gandharva’s softer-Raghu Dixit vocals. Shaliwahna case is corny, using an IPL jingle as filler, but is catchy nonetheless, with superb singing by Manasa Holla. In Edi jagavidhu saladhu, Anand uses a techno sound, but plays around with the tune in […]

Hinge ondivasa is breezy pop—reminiscing on college days, no less—that a singer like Karthik has aced many times. Lavvayya lavvo has a catchy, foot-tapping outlook but for the generic tune. Saddillade is where Chetan surprises, with a brilliant ghazal-like melody that gains immensely from Chetan’s light orchestration and Deepak Doddera’s singing. Theera dooradalello is an […]

Wednesday January 11, 2017 05:36

Urvi (Music review), Kannada – Manoj George

Panthuvarali raaga meets Yakshagana chande in Adhara madhura to create pulsating fusion. The Yakshagana mix comes across beautifully in the interludes too. Teenu Treasa’s lush vocals and Manoj’s splendid violin phrases rule over the brooding melody. That Yakshgana style conversational singing appears in Kelu ranga kelu, but Manoj removes the chande to layer in a […]

Kaalittare yudhane plays out like a fervent, pulsating devotional song. Hemanth Kumar, Shashank Sheshagiri and Chintan Vikas are convincing in delivering the prayer to the hero. Shiva Shiva Maharaja, the song’s offspring does it less convincingly. Ondondsari is a perfectly breezy and filmy duet that gains tremendously from the sweeping Middle-eastern feel and excellent vocals […]

Vijay Prakash’s superb vocals and Ajaneesh’s playful chorus parts add to Belageddu‘s frothy, likeable feel. In Katheyonda helide and Thirboki jeevana, Rakshit’s nostalgic lyrics stand out; the former has a mostly predictable rock-infused tune, but the latter’s bouyant jazz feel is solid fun. Katheyonda’s Farewell version, sung by Ajaneesh himself, offers a more pensive variant […]

Ajaneesh opens Kalkond bitte with what sounds like (African/Saharan) Tuareg guitar and hands over the song’s reign to Haricharan. Hari, for his part, is in blistering form, seamlessly moving from the loverboy opener to a superbly tapori-style delivery. Sticking to just one anupallavi, Ajaneesh also makes the song snappier than usual, while also alternating the […]

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