Ullasamlo has an easy rhythm and a fairly engaging tune that doesn’t aim for anything more. Vareva Dollar Baby is Gopi trying his own Andhra-style kuthu – the sound is intact, but this is Gongura-in-coconut oil. Hey People trudges along with its generic Goan sound. Cheliya cheliya is trademark Gopi, literally, given he reuses his Malayalam original from Two Countries‘ Thanne thaane; gorgeous violins you associate with Gopi. He also imports the other song Veluveluthoru in Chiru chiru – remains consistently enjoyable for the eclectic sound! Beyond the imports (that ignores the Malayalam original’s best, Chenthengin!), middling work by Gopi.

Keywords: Two Countries, 2 Countries, Gopi Sundar, Gopi Sunder

Listen to the songs on Saavn:

Listen to the songs on YouTube:

Madhu mozhi is what you call Madhu Balakrishnan for. A semi-classical medley that wants to do too many things, in too short a time and ends up being merely passable. Poradi poradi nee is Deepak Dev’s Jimikki kammal equivalent, if you see Masterpiece as Mammootty’s equivalent of Mohanlal’s Velipadinte Pusthakam, both playing college professors. Jassie Gift handles the Central Asian-style catchy tune well. Wake Up sounds like a Gopi Sundar song, though not a very good one. Master of The Masses theme is utterly banal and over-the-top posturing for Mammotty’s slow-motion walks. Barring Poradi, music-wise this one is a minorpiece.

Keywords: Masterpiece, Deepak Dev

Listen to the songs on Saavn:

Tuesday December 12, 2017

How do you discover new music?

I came across this fascinating article in The Baffler, on the role of Spotify in the future of the music industry. It led me to think about the function of music discovery, something I believe I aid in, to a small extent, via Milliblog.

I remember my dad telling me about how he used to discover new music while growing up in Kolkata (Calcutta back then). He used to sit next to a radio (a radio that the whole family shared, incidentally) and make notes on the songs he listens to, meticulously writing down the names of the singers when they were announced.

It’s during this period he also started making note of songs copied in Indian films that had a foreign origin… and that eventually inspired me to create the plagiarism tracking website called ItwoFS.

But I digress.

My own 90s music discovery was similar.

TV was a shared commodity and the avenues for new music was fairly limited. Doordarshan’s popular weekly new music show, Chitrahaar (or its Tamil equivalent, Oliyum OLiyum) was a Friday night fixture, though the new’ness of the music they played was debatable.

There was a period in the early/mid-90s when I was glued to my own radio, for the nightly shows from record labels like TIPS, Venus, T-series etc. They had their own new music shows where they played snippets from new music from their repertoire. I still remember a quiz from Venus where they played a part of ‘Khud ko kya samajti hai’ and asked listeners to guess the name of the music director and win some goodies. I had no idea back then, of course, since Jatin-Lalit had just Yaara Dildaara to their credit before Khiladi.

But it was good going – the songs being introduced were considerably newer than the ones being played on Chitrahaar. Because Chitrahaar depended on videos and videos depended on producers and producers depended on release dates, the radio shows helped me discover new music much faster and earlier. I remember listening to the songs of many, many 90s films exclusively via these shows – Saajan, Khiladi, Yaara Dildara, Jigar, Mr.Aashiq and many others that I don’t recall now!

Satellite Television happened. Zee TV’s Gaane Anjaane seemed far more adept at acquiring new film songs than Doordarshan. Even better, they had evening slots for other language songs – Telugu, Kannada etc. In a way, Milliblog is a reflection of that language-agnostic appeal of Zee TV back in the 90s!

I then started actively buying cassette tapes, so that I don’t have to depend only on TV for my music. Till then, I used to get mixtapes done, from a trusted ‘music shop’ in the neighborhood, first in Coimbatore, and then in Salem, where I studied. I started buying actual film soundtracks because of A R Rahman.

During this phase, my primary source of music discovery was the music shop. I used to spend a lot of time in it, sampling music from the one cassette the shopkeeper had opened and buying what I liked, with the limited pocket money I had.

The internet happened to me in 1997. But new music discovery through the internet was still a long way off. I was still on the cassette and CD buying phase for a long time. But, somewhere in the late-2000s, music discovery became very feasible on the internet. YouTube playlists by the record labels started gradually and streaming was just beginning. Sampling new music was a real deal on the internet – it was free and it was available at any time.

These days, Saavn and Apple Music are literally the only 2 sources for new music discovery for me. I still discover music by composers, by language, by soundtracks.

So, the fact that people across the globe are discovering music via playlists is a trend that interests me enormously. This literally takes me back to the radio times; the only difference is that in radio you don’t have a choice of when the music is played. On Spotify playlists, you had that choice.

But a playlist as the primary form of music increasingly points to lack of active control or interest in music, as an art form. Going by this write-up, if you ignore the parts of commercialization, music seems more attuned towards your mood and frame of mind. Random artists get discovered, but they are just one unit within a larger playlist. It seems a lot more passive than the reasonably active way we have been historically discovering music.

I held out by not making playlists on Milliblog for a long time. I stuck to the old way of reviewing full soundtracks and creating playlists only for monthly or annual summaries. But singles are the new form of music release and with singles being the dominant form, playlists are the natural evolution.

But even in playlists, passively consuming music seems odd. It doesn’t seem to have percolated down to India (Spotify is not officially available in India yet), at least.

In India, we have always pegged music around artists who may not be directly associated with music. Barring hardcore singer/composer fan bases (Pancham fans, Kishore da fans, Rafi fans etc.), a large part of the country identifies songs with the actors who feature in the song video. Bachchan song, Dev Anand song, Rajini song, Kamal song, NTR song, Nagarjuna song, Prem Nazir song, Mohanlal song, Rajkumar song, Upendra song and so on! So, even when listening to it on the radio, or as part of a playlist, we end up making associations with the song and the actor in the video.

These days, with more exposure to singers, there’s a lot of interest in identifying it under their names, and sometimes by composers, and to a lesser extent, with lyricists. As a result, since videos (as a subset of artists) remain the primary recognizing thread, there’s perhaps a more active connection with even the music, in India. So far!

Swag se swagat has a predictable tune and sound, but the foot-tapping fluff does have swag. Dil diyan gallan has a lovely lilt for the earthy Punjabi verse, on top of Atif’s dreamy vocals! The Unplugged version by Neha Bhasin is an equally good listen, with its sparse, very-Kashmiri sound. Zinda hai is decent background material. Daata tu is a serene prayer-like melody that Shreya Ghoshal aces, with a neat rhythm change in the end! The soundtrack’s best is the power-qawali Tera noor that roars with its electric guitars and Jyoti Nooran’s spirited rendition. This tiger is alive and kicking.

Keywords: Tiger Zinda Hai, Vishal-Shekhar, Julius Packiam (credited for the Tiger Theme, in Swag se swagat and Zinda hai)

Listen to the songs on Saavn:

Listen to the songs on YouTube:

The title song is the kind that writes and composes itself with DSP around, and still manages to entertain. In Kothaga, DSP continues to use his signature technique – repeating a tune in an instrumental version immediately after it is sung. Fun song, this! Family Party uses a watered down version of Partner’s Soni de nakhre rhythm, on a middling tune. Karthik and Deepika’s singing ensures that the simple melody of Yemaindho teliyadu naaku remains listenable, while the rhythmic call-and-response hook of Yevandoi Nani garu helps it transcend mediocrity. DSP hits the high once again with his bar set low.

Keywords: MCA, Middle Class Abbayi, Devi Sri Prasad

Listen to the songs on YouTube:

Monday December 11, 2017

Milliblog Weeklies – DEC03.2017

Milliblog Weeklies playlist, on Saavn and Apple Music – Week 4.

Below the links, you’d find a Tweet-style (since I share it on Twitter first as a Milliblog-Twitter-Exclusive; do follow me on Twitter at @milliblog) commentary on each of the songs.

On Saavn:

Saagara Shayana Vibho – Agam: The prelude to Agam’s 2nd album, A Dream To Remember is an ambient adaptation of M.D.Ramanathan’s Bhagesri-based Sagara shayana vibho, with a brilliant guitar-sitar melange and Harish’s incredible voice towering over it!

Nadiga Nadigaa – Sei, Tamil: Yet another new composer in Tamil! Nyx Lopez’s Nadiga has a sprawling melody that is adequately and aptly pleasant without standing out and sounds like any song from any of the new crop of Tamil composers.

Machane Machane – Sei, Tamil: Nyx stands out considerably better in Machane, than in Nadiga. He has Benny Dayal’s relentless enthusiasm and energy to accentuate the frenetic and heady tune, with a bit of Benny’s own Nucleya sound creeping in!

Kalapila – Street Academics, Malayalam: Vivek ‘V3K’ Radhakrishnan’s music has a smattering of reggae, Kerala folk music, Dr. Bhavya Lakshmi’s pensive violin strains, all on a splendid hip-hop base, while Amjad ‘Azuran’ Nadeem sings evocatively about going back to the roots.

Welcome Back To Love – Malli Raava, Telugu: Shravan has been doing some great work in Telugu while not being considered ‘happening’. This song is catchy and rhythmic, with an addictive hook. Hemachandra’s singing is, as always, bang on target, particularly in the anupallavi!

Chinuku – Malli Raava, Telugu: After a 40+ second serene prelude, Shravan launches into the spritely rhythm that defines Chinuku. Karthik’s singing is impeccable, and Shravan adds fantastic touches all through the melody, like dual vocal layer at places to enhance the effect.

Title song – Malli Raava, Telugu: Shravan builds the title song really well! His singing is good for most parts, though he doesn’t convincingly handle the high-pitched phrase mid-way. The strings in the background, added layer by layer, accentuates the melody wonderfully.

Shekara – Aana Alaralodalaral, Malayalam: Shaan Rahman is on a high this year! He gets his buddy Vineeth intro Shekara the elephant to open a catchy and rhythmic song with that ‘Shake that booty Shekara’ hook. 12-year-old Sreya Jayadeep covers the child-part of song brilliantly.

Shaanthi – Aana Alaralodalaral, Malayalam: Shaanti is Vineeth Srinivasan’s show! Shaan’s church choir-style sound (last employed so well by Pritam in Ae Dil Hai Mushkil’s Alizeh) is incredibly engaging, particularly the vocal chorus, the claps and some awesome work on the keyboard.

Neeyum Njanum – Aana Alaralodalaral, Malayalam: The predominant sound of Neeyum naanum could easily bring the ‘mountains’ to your mind! The backgrounds are resonant and endearing, letting Sachin Balu’s vocals flow beautifully, almost like the sun playing peekaboo from the clouds.

Beautiful Life – Raju Gari Gadhi 2, Telugu: Thaman’s short track starts off in the most predictable manner, like many of his songs. But it takes off mid-way with the foot-tapping techno sound, even as Thaman’s singing, propped by technology, continues to be middling.

Kothaga – MCA, Telugu: There are songs that can make you go, ‘Devi Sri Prasad?’. Kothaga is one such, among many, from the man’s repertoire. He continues to use his signature technique – repeating a tune in an instrumental version immediately after it is sung πŸ™‚ Fun song, this!

Kaayalirambile: – Paippin Chuvattile Pranayam, Malayalam: Bijibal is the polar opposite of the composer above! Unusual tune flow, delightful conversational vocals between Anne Amie and Bijibal himself… and a melody that screams ‘Kerala’ without using predictable crutches.

Koyikkodu – Goodalochana, Malayalam: Gopi Sundar’s ode to Kozhikode! Abhaya Hiranmayi sounding a bit like Vaikom Vijayalakshmi actually makes it more interesting. The music is simple and props the short tune perfectly while much of the magic happens in the earthy lyrics.

On the Loose – Niall Horan: I’m not particularly a fan of One Direction (a much bigger fan of OneRepublic, actually!), but this song, from Niall’s new album (Flicker) reminds me so much of another band I quite like – Maroon 5!

Heal the Pain (Remastered) – George Michael: On the back of Showtime’s phenomenal documentary, Listen Without Prejudice Vol. 1, featuring his MTV Unplugged concert as well as B-sides and other rarities. Great collection for fans! Heal The Pain is a classic, as always!

The title song has coolth overflowing but is still a middling listen. Sri Dhruthi’s innocent voice keeps Anaganaga oka uru consistently engaging, though Shreya, in her version, completely lifts the song to a different level. Anup hits the jackpot in Thalachi thalachi, with its Raja’esque serene, guitar-layered melody, beautifully accentuated by Haricharan. In Yevevo, Akhil sounds earnest, though not that interesting, even as the pleasant tune keeps the song afloat. Merise merise tries to muster as much enthusiasm as it can, but ends up sounding like a Devi Sri Prasad wedding song during peak demonetization. This Hello is a call-drop.

Keywords: Hello!, Anup Rubens

Listen to the songs on Saavn:

Listen to the songs on YouTube:

Friday December 8, 2017

Milliblog Annual Music round-up 2017

Here’s the 10th edition of Milliblog’s annual music list.

Wow… I’ve been doing annual music compilations for 10 years, huh? Anyway, as always, the lists are in order of preference. And, for the first time, I’m not adding YouTube playlists since it is impossible to add individual songs from playlists after YouTube removed the feature of being able to add starting and ending markers within playlists. So, only Apple Music and Saavn playlists this year. In a way, Apple Music and Saavn have made it really easy to discover and stream new music. The catalog across both platforms are updated very frequently and even though I still depend on YouTube for jukeboxes, beyond the initial listen, I end up sticking to Saavn or Apple Music on my mobile for listening to the songs, since the apps are hugely convenient. There are minor issues, in terms of availability, like in Malayalam, where Satyam Music’s entire catalog is usually not available on Saavn, but is available on Apple Music. This means, one of Malayalam’s biggest hit, Jimikki Kammal, from Velipadinte Pusthakam, is still not available on Saavn!

This list is based on soundtracks released between December 16,Β 2016Β and December 07, 2017. This is NOT based on release date of films; this is based mostly on release date of full/complete soundtracks.

And oh, before you start analysing these lists and wondering about why your list doesn’t look like my list and about how that song and this song made it to a list and why that and this song didn’t feature in the list, please read: Milliblog’s Three Laws of Music Appreciation Multiverse!

Hindi

2017 can easily be remembered as Pritam’s year! The composer who debuted as a solo composer back in 2004, eventually went on to be notoriously associated with plagiarism before turning over a new leaf with remarkable honesty and transparency! He truly had a mind-boggling year in 2017! Besides the only Hindi #300 worder of 2017, my long-list of Hindi songs had as many as 16 songs from Pritam. Clearly, Jab Harry Met Sejal is the kind of soundtrack you produce very, very rarely, loaded with incredible music from start to finish and it’s a monumental pity to see Sony Music bungle royally on the release of this soundtrack, relegating fantastic songs like Parinda, Ghar and Beech beech mein to a post-release sleepy launch. To top it, Pritam had Jagga Jasoos too in 2017! It’s no wonder he chose to take a long beak; fully deserved after a high like this.

After Pritam, the other remarkable rise is that of Tanishk Bagchi (and Vayu). For a composer known as remix/remake/recreation-Raja, it was wonderful to hear him evolve into better remixes (not counting the Humma remix, of course) and to delightful original compositions, including my choice for the song of the year, Kanha, from Shubh Mangal Saavdhaan. My long-list had 14 songs from Tanishk (and/or Vayu), incidentally! The other noteworthy rise is that of Rochak Kohli, once known as Ayushmann Khurrana’s co-composer. He came on his own with excellent music fairly consistently, in songs and soundtracks like Naam Shabana’s Rozana, Lucknow Central and Qarib Qarib Singlle.

There was also good consistency from Sachin-Jigar who produced some great music in Simran and Meri Pyaari Bindu, besides the occasional spark in films like Bhoomi and A Gentleman. It was a lean year for Milliblog favorites like Amit Trivedi and A R Rahman, but both had at least one standout album in Qaidi Band and Mom, respectively, even though the failure of those films pulled the soundtracks into oblivion too.

Gaurav Dagaonkar, the intermittent composer got a cracker of a soundtrack in Babumoshai Bandookbaaz, while my old favorites like Krsna (Tukda tukda – Mirza Juuliet) and Ram Sampath (Raees) proved their talent at least once. If I were to pick a debut composer of the year, I’d hand that title to Santanu Ghatak, for Tumhari Sulu’s Rafu!

Other mention-worthy composers (with some of them not in the top 30, but were definitely in my long-list) include Rohit Sharma (Anaarkali of Aarah), Amaal Mallik (Noor and Badrinath Ki Dulhaniya), Nadeem (yes, of Nadeem-Shravan fame! – Tum kahaan the, from Ek Haseena Thi Ek Deewana Tha), Abhishek-Akshay (Running Shaadi. com), Amartya Rahut (Tu Hai Mera Sunday, Tumhari Sulu), Zebunnisa Bangash (Lipstick Under My Burkha), Shashwat Sachdev (Phillauri) and Raghu Dixit (Chef).

Hindi music composer of the year 2017: Pritam

Top 3 Hindi film soundtracks of 2017:
01. Jab Harry Met Sejal (Pritam)
02. Jagga Jasoos (Pritam)
03. Mom (A R Rahman)

Top 30 Hindi films songs of 2017
(Apple Music and Saavn playlists at the end of the list)

01. Kanha – Shubh Mangal Saavdhan (Tanishk-Vayu)
02. Parinda – Jab Harry Met Sejal (Pritam)
03. Ullu ka pattha – Jagga Jasoos (Pritam)
04. Barfani – Babumoshai Bandookbaaz (Gaurav Dagaonkar)
05. Sapne re – Secret Superstar (Amit Trivedi)
06. Bandook meri laila – A Gentleman (Sachin-Jigar)
07. Single rehne de – Simran (Sachin-Jigar)
08. Tippa – Rangoon (Vishal Bhardwaj)
09. Iss tarah – Meri Pyaari Bindu (Sachin-Jigar)
10. Be nazaara – Mom (A R Rahman)

11. Ghar – Jab Harry Met Sejal (Pritam)
12. Jhumritalaiyyan – Jagga Jasoos (Pritam)
13. Udi udi jaye – Raees (Ram Sampath)
14. Tukda tukda – Mirza Juuliet (Krsna)
15. Saajan aayo re – OK Jaanu (A R Rahman)
16. Radio – Tubelight (Pritam)
17. Ik vaari aa – Raabta (JAM8)
18. Main hoon – Munna Michael (Tanishk Baagchi)
19. Tamma tamma again – Badrinath Ki Dulhaniya (Tanishk Bagchi)
20. Beech beech mein – Jab Harry Met Sejal (Pritam)

21. Rozana – Naam Shabana (Rochak Kohli)
22. Rafu – Tumhari Sulu (Santanu Ghatak)
23. Hans mat pagli – Toilet Ek Prem Katha (Vickey Prasad)
24. Poshamba – Qaidi Band (Amit Trivedi)
25. Ishquiya – Lipstick Under My Burkha (Zebunnisa Bangash)
26. Hawayein – Jab Harry Met Sejal (Pritam)
27. Itna tumhe – Machine (Tanishk Bagchi)
28. Helicopter – Ranchi Diaries (Tony Kakkar)
29. Meer-e-kaarwan – Lucknow Central (Rochak Kohli)
30. Thodi si jagah – Tu Hai Mera Sunday (Amartya Rahut)

Apple Music (all 30 songs)

Saavn (all 30 songs – click on the image below)

Tamil

In 2016, I had to offer the ‘composer of the year’ title to Santhosh Narayanan over Sean Roldan given the number of soundtracks the former excelled in and produced. But this year, the choice is very easy. Sean Roldan not only produced a knock-out of a soundtrack in Power Paandi, but also peppered the year with fantastic songs in other soundtracks like Neruppuda, Velai Illa Pattadhaari 2, Kathanayagan and Kathiruppor Pattiyal (including a total 13 songs in my long-list). My bet on composer Sam C.S. in the previous years paid off handsomely in 2017. He had definitely shown promise in 2015’s Mellisai (released as Puriyadha Pudhir in 2017) and more specifically the completely unheard Kadalai in 2016. But Sam moved forward tremendously with Vikram Vedha! With the success of the film and critical acclaim for the music, the whole world is wide open for Sam – really looking forward to what he will do next!

Veteran A.R.Rahman (I know it seems odd to call Rahman a ‘veteran’, but 25 years in the industry is long enough to be called that I suppose!) proved me completely wrong when he scored a kick-ass soundtrack for Mani Ratnam in Kaatru Veliyidai. As a music lover, I’m just very glad that the OK Kanmani musical misfire (strictly in my opinion, of course) was just a one-off event.

I had 10 songs from Imman in my long-list, but it is dismaying to see the talented composer slip consistently towards his templates. It’s really time for Imman 3.0 – he has reinvented his music once and there’s no reason why he cannot pull it another time. Other composers who are in a lean form, either numerically or quality-wise included Justin Prabhakaran (Kaalakkoothu) and last year’s favorites, Santhosh Narayanan (Server Sundaram and an above-average Meyaadha Maan) and Anirudh (decent enough outings in Vivegam and Velaikkaran).

Ghibran had 5 soundtracks this year, and Aramm, Maayavan and Adhe Kangal were very good additions from the composer, though Theeran Adhiragam Ondru and Magalir Mattum were relatively less interesting, even as Theeran’s background score was truly phenomenal. Karthik Raja’s comeback in Padai Veeran, Simon K.King’s comeback in Sathya, Vidyasagar’s comeback in Thiruttu Payale 2, Girishh G’s comeback in Aval, Yuvan Shankar Raja’s comeback (considering his relatively poor form in 2016) in Semma Botha Aagathey and Balloon (and to a lesser extent, Taramani) and G.V.Prakash Kumar’s comeback in Mupparimanam and particularly, Sema were other noteworthy highlights.

In terms of debutants, Kannada composer Ajaneesh Loknath made a solid debut in Kurangu Bommai and has even his excellent music from Ulidavaru Kandante seeing a resurrection in Richie. Ishaan Dev’s debut in En Aaloda Seruppa Kaanom, KP’s debut in Indrajith, Ashwin Vinayagamoorthy’s debut in Yaadhumaagi Nindraai, Indra’s debut in Tubelight and Dhibu Ninan Thomas’s debut in Maragadha Naanayam are definitely worth noting. The most interesting and outstanding debut of the year, though, is from Bindhumalini and Vedanth Bharadwaj, in Aruvi!

Holding on to the periphery are composers like Afzal Yusuf (Engeyum Naan Iruppen), Vivek-Mervin (Dora), Santhosh Dhayanidhi (Enakku Vaaitha Adimaigal), Hiphop Tamizha (a very high-profile Kavan that came a cropper, and a middling Meesaya Murukku), Leon James (Veera), Vishal Chandrashekhar (Simba, but who also did excellent work in the Telugu film, Kathalo Rajakumari), Ajesh (Thiri), Siddharth Vipin (Brahmma. com) and Dharan Kumar (Abhiyum Anuvum).

The year was also an interesting one for music labels. Think Music continued to make astute acquisitions, but it was Trend Music (with a path-breaking buy in the bilingual Solo) and Divo Music (with a really interesting strategy of not insisting exclusively ‘named’ rights and working as a release-partner with other newer, mostly composer-led and producer-led labels, like that of Yuvan Shankar Raja’s U1 Music and Dhanush’s Wunderbar Studios, and going truly pan-South Indian, including Kannada releases like Kirik Party) that pulled off very exciting titles. Divo’s strategy remains enormously interesting and their repertoire is also constantly increasing and improving! Sony Music continues to throw its weight occasionally and getting very few choices right.

Please note – for sheer matter of convenience, I have considered Solo under Malayalam, though I fully understand it was a bilingual and had Tamil, Malayalam and Hindi songs too. Very difficult to slot it into multiple languages or to even slot it in the first place!

Tamil film music composer of the year 2017: Sean Roldan

Top 3 Tamil film soundtracks of 2017:
01. Power Paandi (Sean Roldan)
02. Vikram Vedha (Sam C.S.)
03. Kaatru Veliyidai (A R Rahman)

Top 30 Tamil film songs of 2017:
(Apple Music and Saavn playlists at the end of the list)

01. Paarthen – Power Paandi (Sean Roldan)
02. Karuppu vellai – Vikram Vedha (Sam C.S.)
03. Kanna katti – Kaalakkoothu (Justin Prabhakaran)
04. Venpani malare – Power Paandi (Sean Roldan)
05. Azhagiye – Kaatru Veliyidai (A R Rahman)
06. Aalangiliye – Neruppuda (Sean Roldan)
07. Paathum paakkaama – Kurangu Bommai (B.Ajaneesh Loknath)
08. Abimaaniye – En Aaloda Seruppa Kaanom (Ishaan Dev)
09. Iraivanai thandha – Velai Illa Pattadhaari 2 (Sean Roldan)
10. Rail aaraaroo – Nenjil Thunivirunthal (D.Imman)

11. Enna naan – Meyaadha Maan (Pradeep Kumar)
12. Saarattu vandiyila – Kaatru Veliyidai (A R Rahman)
13. Adi vaadi thimiraa – Magalir Mattum (Ghibran)
14. Sandalee – Sema (G.V. Prakash Kumar)
15. Yaanji – Vikram Vedha (Sam C.S.)
16. Karuva karuva payale – Karuppan (D.Imman)
17. Mattikkiten – Padai Veeran (Karthik Raja)
18. Idho thaanaagave – Adhe Kangal (Ghibran)
19. On nenappu – Kathanayagan (Sean Roldan)
20. Iraiva – Velaikkaran (Anirudh)

21. Kukkotti kunaatti – Aruvi (Bindhumalini, Vedanth Bharadwaj)
22. Yavvana – Sathya (Simon K. King)
23. Tasakku tasakku – Vikram Vedha (Sam C.S.)
24. Itemkaaran – Semma Botha Aagathey (Yuvan Shankar Raja)
25. Nee paarkum – Thiruttuppayale 2 (Vidyasagar)
26. Melam kottudaa – Aramm (Ghibran)
27. Azhagile enai – Kathiruppor Pattiyal (Sean Roldan)
28. Kadhalada – Vivegam (Anirudh)
29. Mella mella – Maayavan (Ghibran)
30. Kaarigai kanne – Aval (Girishh G)

Apple Music (all 30 songs)

Saavn (all 30 songs – click on the image below)

Telugu

After 2 years of Gopi Sundar’s stellar ride (with a lone spark in Ninnu Kori in 2017), there’s a new rising star in Telugu town! I was hoping it would be Sunny M.R (who had a pretty good outing with Keshava), but he seems far more content assisting Pritam in Bollywood (and look at what it did to Pritam this year!!). The new star is Shravan Bharadwaj, someone I had noted as promising, in a list mid-2016 and been tracking for at least 4 years. Shravan produced 2 incredible soundtracks this year – Chandamama Raave and Malli Raava – a year that was almost eclipsed by Radhan’s brilliant soundtrack for Arjun Reddy. Ironically, I really don’t know whether Chandamama Raave released or if anyone really heard its music. Given Sumanth’s presence, I’m guessing at least Malli Raava will get slightly a more visible presence, music-wise.

The other composer who had a rise up was Vivek Sagar. After Sheesh Mahal, Yuddham Sharanam is a massive step up for the young composer and despite that film’s failure, here’s hoping he is able to sustain his presence. Ko Antey Koti-fame Shakthikanth Karthik too made quite a splash with his big ticket outing in Fida.

Radhan’s Arjun Reddy is, of course, the other big story of the year. After Andala Rakshasi in 2012, Yevade Subramanyam in 2015 (along with Ilayaraja), Radhan had 2 releases in 2017 – while Radha was average fare, Arjun Reddy, with its Amit Trivedi’esque score that pitched far beyond Trivedi for the Telugu Dev.D, was literally the Telugu soundtrack of the year for me. The music complimented the film so darn well!

But, as far as the composer of the year goes, it’d be mighty unfair of me to not include old-timer Devi Sri Prasad. I have been scathing about his form and he seems to hold on to his stock template like his life depended on it, but this year, the man has produced some entertaining (the best word I can use for his music) songs across the many films he has worked on. Gudilo badilo, from DJ: Duvvada Jagannadham easily tops that list, followed by the ebullient title song of Raarandoi Veduka Chuddam. The man ploughs on, for now, quite successfully.

The other composer who continues to chug along is Mani Sharma! Between LIE, Balakrishnudu, Fashion Designer s/o Ladies Tailor and Aakatayi, he had a pretty decent year! Keeravani, who had earlier said he would retire on December 8, 2016, thankfully did not and had a blockbuster outing with Baahubali 2. He also had lesser known soundtracks in Om Namo Venkatesaya and more importantly, the completely unknown Showtime!

Thaman is in the chugging boat too, with occasionally listenable stuff in films like Mahanubhavudu (his best in a long time), Jawaan, Veedevadu and Winner.

Veteran Ilayaraja had a fantastic 2-song mix in Kathalo Rajakumari (along with the rest by Vishal Chandrashekhar, who did much better in Telugu than in Tamil, with Simba).

Ghibran’s lone Telugu soundtrack, Ungarala Rambabu had at least 2 excellent songs. Other Tamil composers trying their luck in Telugu included Santhosh Narayanan with a newly added single in the Telugu remake of Irudhi Sutru, Harris Jayaraj for the bilingual/Mahesh Babu Tamil debut Spyder, Yuvan Shankar Raja in Oxygen and K, with Aanando Brahma. Malayalam composer Shaan Rahman made his full-fledged Telugu in Prematho Mee Karthik and Rachayitha, with the latter being a particularly fantastic 3-song soundtrack. Together, Shaan slowly seems to be taking on the mantle that the other Malayalam-to-Telugu composer, Gopi Sundar, owned, in Telugu films!

Other composers like Bheems Ceciroleo (Nakshatram), Harshavardhan (Good Bad Ugly), Prasan Praveen Shyam (Kaadhali), Bharath Madhusudhanan (Nakshatram), Prashanth R Vihari (Mental Madhilo and Velipomakey), Suresh Bobbili (Maa Abbayi), Achu Rajamani (Luckunnodu, Venkatapuram), DJ Vasanth (Gunturodu, Vaisakham), Anup Rubens (Paisa Vasool, Katamarayudu, Nene Raju Nene Mantri, Kittu Unnadu Jagratha), Vijai Bulganin (Rendu Rellu Aaru), Shekar Chandra (Oye Ninney), Praveen Lakkaraju (Luckunnodu), Naresh Penta (Sriramudinta Srikrishnudanta), Munna Kasi (Maama O Chandamama), Sai Karthik (Next Nuvve) and Sunil Kashyap (Sarovaram), Chirrantan Bhatt (Gautamiputra Satakarni) and Madhu Ponnas (O Pilla Nee Valla) had minor, occasional good songs through the year.

Telugu film music composer(s) of the year 2017: Shravan Bharadwaj and Devi Sri Prasad

Top 3 Telugu film soundtracks of 2017:
01. Arjun Reddy (Radhan)
02. Chandamama Raave (Shravan)
03. Kathalo Rajakumari (Vishal Chandrashekhar and Ilayaraja)

Top 30 Telugu film songs of 2017:
(Apple Music and Saavn playlists at the end of the list)

01. Gudilo badilo – DJ: Duvvada Jagannadham (Devi Sri Prasad)
02. Praayam Inthera – Chandamama Raave (Shravan)
03. Hamsa naava – Baahubali 2 – The Conclusion (M.M.Keeravani)
04. Title song – Raarandoi Veduka Chuddam (Devi Sri Prasad)
05. Vachinde – Fida (Shakthikanth Karthick)
06. Emitemitemo – Arjun Reddy (Radhan)
07. Yelugula teraley – Yuddham Sharanam (Vivek Sagar)
08. Miss Sunshine – LIE (Mani Sharma)
09. Thikkalodi vesham – Kathalo Rajakumari (Ilayaraja)
10. Telusa – Keshava (Sunny M.R.)

11. Unnatundi gundey – Ninnu Kori (Gopi Sundar)
12. Madhurame – Arjun Reddy (Radhan)
13. Welcome back to love – Malli Raava (Shravan)
14. Enno enno bhavaley – Yuddham Sharanam (Vivek Sagar)
15. Allari pillagada – Ungarala Rambabu (Ghibran)
16. Anukunnadi – Balakrishnudu (Mani Sharma)
17. Ishtam – Good Bad Ugly (Harshavardhan)
18. Laayire – Nakshatram (Bheems Ceciroleo)
19. Kaadhal kaadhal – Kaadhali (Prasan Praveen Shyam)
20. What Amma What Is This Amma – Vunnadhi Okate Zindagi (Devi Sri Prasad)

21. Rana priya – Rachayitha (Shaan Rahman)
22. Adiga adiga – Ninnu Kori (Gopi Sundar)
23. Manase thalupe – Kathalo Rajakumari (Vishal Chandrashekhar)
24. Telisiney na nuvvey – Arjun Reddy (Radhan)
25. Rendu kallu – Mahanubhavudu (Thaman S)
26. Edhola – Mental Madhilo (Prashanth R Vihari)
27. Okka chinukulo – Prematho Mee Karthik (Shaan Rahman)
28. Eppudu Modalaindo – Chandamama Raave (Shravan)
29. Kanulemito – Fashion Designer s/o Ladies Tailor (Mani Sharma)
30. Hello pillagada – Nakshatram (Bharath Madhusudhanan)

Apple Music (29 songs; missing – No.21, Rachayita)

Saavn (all 30 songs – click on the image below)

Malayalam

Let me start with the composer who had 16 songs in my long-list – Bijibal! The man was unstoppably prolific this year with more than 10 films! Of these, I’d rate Sarvopari Palakkaran and Matchbox as my personal favorite complete albums, though he had a great song or two in almost all this films. Bijibal’s music seems as low-key as the films he seems to choose – nothing big or flashy, just regular films that work in Malayalam so very often.

Gopi, on the other hand, is the opposite. He works on superstar (whatever that means in Malayalam) films and even on films where Bijibal’ish everyday actors are trying to be superstars (Role Models, Fahadh Faasil). I picked 17 of Gopi’s songs in my long-list, from 9 of his films (there were more!) and also decided to hand him over the title of the composer of the year for his stellar soundtrack in Udaharanam Sujatha!

But he’d need to share that along with Shaan Rahman, who also shared last year’s composer of the year tag along with Sooraj S. Kurup. Shaan was the proud owner of what could be 2017’s Kolaveri (or, to take another such Malayalam song, 2017’s Lajjavadhiye) – a language-busting, massively viral song, Jimikki Kammal. Not just that, he also produced consistently good music across other films like Godha and Aana Alaralodalaral.

As far as a full-fledged, complete soundtrack goes, there’s nothing more ambitious or interesting than Solo! The many-songs soundtrack put together by the director Bejoy Nambiar and composer Prasanth Pillai is a mega compilation of older and new songs and they all work so cohesively as a soundtrack!

The choice of the 3rd best soundtrack, in my view, would go to Rex Vijayan’s brilliant 3-songs + many background scores collection in Parava. Ex-Avial Rex has done films like Neelakasham Pacha Kadal Chuvanna Bhoomi, Lord Livingstone 7000 Kandi, North 24 Kaatham and Sapthamashree Thaskaraha, but in Parava, his craft comes together like it hasn’t, so far. The other guitarist who seems to be doing well in Malayalam is Sanjeev Thomas. His Vilakkumaram was a refreshingly good soundtrack!

Prashant Pillai has made a habit of having at least one song in the top 5 in Milliblog’s annual lists. Manogathambhavaan, from Anuraga Karikkin Vellam in 2016 and Vasanthamallike, from Chandrettan Evideya in 2015, for instance. This year is no exception – Solo’s eclectic Roshomon sure deserves a place right in the top 5! The other promising composers – Deepak Dev and Rahul Raj, had the random good songs at times – Deepak’s Unnikrishnan-sung Ekayaai nee from Kaattu was a real surprise, while Rahul pulled off something similar in E’s Pranavaakaram, both being specifically based on carnaticraagas. Deepak produced good stuff in Adam John, where he made Prithvi sing pretty decently, and in Sunday Holiday, where apart from his trademark Mazha paadum, he also had a really cool disco number!

Veteran M.Jayachandran definitely had noteworthy music in at least 2 soundtracks – Nawal Enna Jewel and Pullikkaaran Staara. Afzal Yusuf, while also doing good work in Tamil (Engeyum Naan Iruppen), had pretty good music in Theeram, while Hesham Abdul Wahab’s 2 versions of Enganepadendunjan in Cappuccino is his annual highlight. In terms of debutants, Ashwin Renju’s Minunundae mullapolae (Tharangam), Justin Varghese’s Enthavo (Njandukalude Nattil Oridavela) and Manikandan Ayyappa’s Ivalaro (Oru Mexican Aparatha) top my list.

Other composers with the occasional good song included Mejo Joseph (Hrudayavaathil – C/O Saira Banu), 4 Musics (Kandittum – Villain), Rahul Subrahmanian (Oruvakkinal – 1971 Beyond Borders), Aravind Chandrasekhar (Akkidi – Himalayathile Kashmalan), Vishnu Mohan Sithara (Penne penne – Basheerinte Premalekhanam), Arun Muraleedharan (Varminnal – Adventures of Omanakuttan) and Sankar Sharma (Avarude Raavukal).

Malayalam film music composer(s) of the year 2017: Gopi Sundar and Shaan Rahman

Top 3 Malayalam film soundtracks of 2017:
01. Solo (Assorted composers)
02. Udaharanam Sujatha (Gopi Sundar)
03. Parava (Rex Vijayan)

Top 30 Malayalam film songs of 2017:
(Apple Music and Saavn playlists at the end of the list)

01. Kasavu njoriyumoru pulari – Udaharanam Sujatha (Gopi Sundar)
02. Entammede jimikki kammal – Velipadinte Pusthakam (Shaan Rahman)
03. Roshomon – Solo (Prashant Pillai)
04. Nenjil nenjil – Parava (Rex Vijayan)
05. Ekayaai Nee – Kaattu (Deepak Dev)
06. Vaanam thilathilakkanu – Comrade In America CIA (Gopi Sundar)
07. Shaanti – Aana Alaralodalaral (Shaan Rahman)
08. Ozhukiyozhuki – Oru Cinemaakkaran (Bijibal)
09. Pranavaakaram – E (Rahul Raj)
10. Minunundae mullapolae – Tharangam (Ashwin Renju)

11. Madhumatiye – Sakhavu (Prashant Pillai)
12. Aaro nenjil – Godha (Shaan Rahman)
13. Do naina/La vettam – Angamaly Diaries (Prashant Pillai)
14. Enthavo – Njandukalude Nattil Oridavela (Justin Varghese)
15. Ikkaliveettil – Sarvopari Palakkaran (Bijibal)
16. Aaradyam – Matchbox (Bijibal)
17. Oru vaanchi paattu – Solo (Agam)
18. Mazha paadum – Sunday Holiday (Deepak Dev)
19. Vaa kuruvi – Vilakkumaram (Sanjeev T)
20. Neelambal nilavodu – Nawal Enna Jewel (M.Jayachandran)

21. Kandu nee – Solo (Abhinav Bansal)
22. Ormakal – Parava (Rex Vijayan)
23. Thechille penne – Role Models (Gopi Sundar)
24. Janah meri janah – Cappuccino (Hesham Abdul Wahab)
25. Veerangana – Crossroad (Amrutha Suresh, Abhirami Suresh)
26. Kilivathilin chare nee – Pullikkaran Staraa (M.Jayachandran)
27. Shekara – Aana Alaralodalaral (Shaan Rahman)
28. Joleem kooleem – Georgettan’s Pooram (Gopi Sundar)
29. Mele arimulla – Velipadinte Pusthakam (Shaan Rahman)
30. Chinthicho nee – Sathya (Gopi Sundar)

Apple Music (all 30 songs)

Saavn (24 songs; missing: No.2 Velipadinte Pusthakam, No.18 Sunday Holiday, No.20 Nawal Enna Jewel, No.23 Role Models, No.28 Georgettan’s Pooram, No.29 Velipadinte Pusthakam and No.30 Sathya. Click on the image below)

Kannada

In my 2010 annual music round-up, I wrote, “I have a lot of hope from AP Arjun in 2011 – he has shown consistent promise in the past few years and could be the dark horse that people are obviously missing”. AP Arjun became Arjun Janya and he went on to become the composer of the year on Milliblog for 2011, 2012, 2013 and 2014! Harikrishna in 2015 and the combo of newbies, Charan Raj and Ajaneesh Loknath ruled in 2016. I’m glad to announce Arjun as the composer of the year once again, after 2 years, given his phenomenal score for Raaga, and for a fairly consistent year across films like Hebbuli, Chakravarthy, College Kumar, Raj Vishnu, Naane Next CM and Pataki. Last year’s stars – Ajaneesh and Charan Raj had a fairly tepid year, with Srikanta and Dalapathi, respectively, while the latter’s national award-winning score in the film Jeer Jimbe is nowhere in sight as far as a release is concerned. Ajaneesh also debuted in Tamil, incidentally, with Kurangu Bommai, and the Tamil remake of Ulidavaru Kandante, called Richie.

Manoj George’s comeback in Urvi, Raghu Dixit’s comeback in Happy New Year and Joshua Sridhar’s comeback in Rajahamsa definitely merit a mention. But, the year’s break-out artist would be Judah Sandhy, who finally made good on his promise – he has no doubt been an interesting composer to watch out for, with good songs in 2016’s Adbutha, Badmaash and Shachina Heggar’s pop single, Dibbaradindi, and this year’s Operation Alamelamma, though his big-ticket outing in Uppu Huli Haara was a damp squib. To see him score a knockout in Chamak is so heartening! Here’s hoping Judah does much better in 2018. The 2 noteworthy debutants of the year included Midhun Mukundan (with Srinivasa Kalyana, a song in Kaafi Thota and his best, Ondu Motteya Kathe) and Chetan Sosca (Kaal Kg Preethi).

Veteran Harikrishna had a lean year, with only Yogaraj Bhat’s Ganesh starrer Mugulu Nage being a talking point. An interesting trend I notice is little known composers producing some darn good songs on an occasional basis – Kiran Ranvindranath (Kodeyondara adiyalli – Raju Kannada Medium), Anand Rajavikraman (Thaliru thoranadi – Lee) and Vikram Varman, who actually debuted with a Tamil film, Ariyaan, in 2009 (Muddu hudugi and Baa neenenodu – Naanu Nammudgi Kharchgond Mafia). Hope these folks find a firmer footing in 2018. The other Tamil composer making his official debut in Kannada was Yuvan Shankar Raja, with Gowdru Hotel. Anoop Seelin, Bharath B.J and Ravi Basrur seem to be the ones ploughing on, though there’s a lot of music from Ravi Basrur lately, in particular, even as not much of it is all that interesting.

Kannada film music composer of the year 2017: Arjun Janya

Top 3 Kannada film soundtracks of 2017:
01. Raaga (Arjun Janya)
02. Ondu Motteya Kathe (Midhun Mukundan)
03. Chamak (Judah Sandhy)

Top 30 Kannada film songs of 2017:
(Apple Music and Saavn playlists at the end of the list)

01. Devare – Hebbuli (Arjun Janya)
02. Thili prema – Urvi (Manoj George)
03. Henne – Ondu Motteya Kathe (Midhun Mukundan)
04. Belakendare – Raaga (Arjun Janya)
05. Marete hodenu – Dayavittu Gamanisi (Anoop Seelin)
06. Ondu malebillu – Chakravarthy (Arjun Janya)
07. Kodeyondara adiyalli – Raju Kannada Medium (Kiran Ravindranath)
08. Roopasi – Mugulu Nage (V.Harikrishna)
09. O sanjeya hoove – Chamak (Judah Sandhy)
10. Hasi bisi – College Kumar (Arjun Janya)

11. Aalisu baa – Raaga (Arjun Janya)
12. Preetiya hesare neenu – Happy New Year (Raghu Dixit)
13. Chanda avalu – Ondu Motteya Kathe (Midhun Mukundan)
14. Saddillade – Kaal Kg Preethi (Chetan Sosca)
15. Alaga Alaga – Operation Alamelamma (Judah Sandhy)
16. Mula mula – Rajahamsa (Joshua Sridhar)
17. Kush kush – Chamak (Judah Sandhy)
18. Early morning – Dalapathi (Charan Raj)
19. Ondhe jeevana – Gowdru Hotel (Yuvan Shankar Raja)
20. Thaliru thoranadi – Lee (Anand Rajavikraman)

21. SuvvannaΒ suvvanaare – Raj Vishnu (Arjun Janya)
22. Sanje hothu – Tarak (Arjun Janya)
23. Ninna haage – Gowdru Hotel (Yuvan Shankar Raja)
24. Matthe maleyagide – Chakravarthy (Arjun Janya)
25. Manasina – Raaga (Arjun Janya)
26. Ondondsari – Srikanta (Ajaneesh Loknath)
27. Muddu hudugi – Naanu Nammudgi Kharchgond Mafia (Vikram Varman)
28. Gapu gapalli – Srinivasa Kalayana (Midhun Mukundan)
29. Magariya – Anjaniputhraa (Ravi Basrur)
30. Jigidante Jeeva – Naane Next CM (Arjun Janya)

Apple Music (all 30 songs)

Saavn (29 songs; missing – No.8 Mugulu Nage. Click on the image below)

Marathi

Obviously, my awareness and the time I spend on Marathi music is rather limited (and it shows!), but I really like the music of the trio, Hrishikesh-Saurabh-Jasraj and look forward to their music. Ubuntu, by Kaushal Inamdar is another lovely listen this year.

Marathi film music composer(s) of the year 2017: Hrishikesh-Saurabh-Jasraj

Top 10 Marathi film songs of 2017:
(Apple Music and Saavn playlists at the end of the list)

01. Hich amuchi praarthana – Ubuntu (Marathi, Kaushal Inamdar)
02. Chukatay – Muramba (Marathi, Hrishikesh-Saurabh-Jasraj)
03. Marugelara – Hampi (Marathi, Aditya Bedekar)
04. Maze tuze – Muramba (Hrishikesh-Saurabh-Jasraj)
05. Aapla romance – Bus Stop (Hrishikesh Saurabh Jasraj)
06. Title song – Ubuntu (Kaushal Inamdar)
07. Gaaz yeta go – Mala Kahich Problem Nahi (Hrishikesh Saurabh Jasraj)
08. Vanava petala – Ghuma (Hrishikesh-Saurabh-Jasraj)
09. Aga aik na – Muramba (Hrishikesh-Saurabh-Jasraj)
10. Virlya kevha – Mala Kahich Problem Nahi (Hrishikesh Saurabh Jasraj)

Apple Music (6 songs; missing – No.2, 4 and 9 – Muramba, No.5 – Bus Stop)

Saavn (all 10 songs; click on the image below)

Indipop

2017 was the year when Channel V died (finally). It’s interesting that the channel that heralded the Indipop wave is dying in the year when Indipop has been reduced to virtually nothing, with only T-series willing to spend money on making splashy music videos of supposedly-pop songs and Zee music unleashing more pointless regional pop than what anybody has the mindspace for. Thankfully, there were the occasional highs, like Sony’s Bewajah, by Anirudh. The folks still holding out include Papon (with a fantastic new album in Notun Puhor, after last year’s Saavn original album), Agam (their sophomore album was announced in 2017 along with a prelude and one song) and old-timers like Maati Baani. There’s some amount of truly independent pop happening, like Raman Mahadevan’s new songs with Jirka, Job Kurien and bands like Street Academics. These are folks who don’t have a label backing yet and are trying it on their own, via YouTube and iTunes.

01. Bewajah – Anirudh
02. Mhaari re mangetar – Maati Baani Ft. Alaa Wardi
03. Enthavo – Job Kurian
04. Eri thoi oha mur, Pt. 2 – Notun Puhor (Papon)
05. Kalapila – Street Academics

Apple Music (4 songs; missing – Mhaari re mangetar – Maati Baani Ft. Alaa Wardi)

Saavn (4 songs; missing – Mhaari re mangetar – Maati Baani Ft. Alaa Wardi. Click on the image below)


Given top 30 count, I’m sure you’d obviously find some favorite song/songs of yours missing in my lists. But that’s the hallmark of my list v. your list, or another person’s list. Let me know your favorite songs I missed, in the comments section.

Enjoy the music! πŸ™‚

Nalla rangugala has the soul of a Bangla boat song, with its serene and understated orchestration. Shaan’s singing, stressing on the slow, deliberately lengthy phrases adds to the Bangla feel and sounds absolutely wonderful. Ye yadhalo too depends on a mighty sparse orchestration, and Hemachandra hands Shaan’s simple, soulful and rhythmic melody perfectly. The soundtrack’s best is Rana priya! Shaan’s melody has a haunting and sweeping quality that is hard to shake off! That Shaan hands over the song to Gowry Lekshmi is a masterstroke, since she is incredible in her rendition! Shaan is gradually taking over Gopi’s Telugu run!

Keywords: Rachayitha, Shaan Rahman

Listen to the songs on Saavn:

After a grand, clunky intro, Kalakku machan launches into a Bhagyaraj-style insipid composition. Siru siru has an interesting germ of a semi-classical tune, but Simbu messes it up royally with haphazard backgrounds. The family song, Vaa munima, sung by dad, mom and son is the worst of the lot, going batshit crazy with digital processing. Kadhal devathai, despite the excessive digital processing fares slightly better, though going into a nutty acid-trip starting 03:40. Unakaaga, sung by Leon James and Andrea is the soundtrack’s best, with Simbu trying a funky mix and largely succeeding. STR’s music is better than his acting.

Keywords: Sakka Podu Podu Raja, STR, Simbu, Silambarasan, Silambarasan Thesingu Rajendar

Listen to the songs on Saavn:

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